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Director: Scott Derrickson | Cast: Mason Thames, Madeleine McGraw, Ethan Hawke, Demián Bichir Genre: Supernatural Horror | Release Year: 2025
When the first Download The Black Phone movie came out a few years ago, it was a massive surprise hit. It was a scary, grounded story about a masked child-kidnapper called The Grabber (Ethan Hawke) and a brave kid named Finney (Mason Thames) who fought back with the help of a broken, mysterious black phone. The ending was perfect: the bad guy was defeated, the missing boys were found, and the main characters were safe.
So, when Universal and Blumhouse announced a sequel, The Black Phone 2, everyone had one question: How?
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This new film, directed once again by Scott Derrickson, doesn’t waste any time trying to pretend The Grabber is still alive in the real world. Instead, it takes a massive leap, turning the human monster into a truly supernatural force. The result is a bold, exciting, and sometimes messy sequel that tries its hardest to build a whole new horror world on top of a story that had already ended. While it’s not as fresh or tight as the original, Black Phone 2 delivers the chills, amazing visuals, and, most importantly, a powerful story about two kids who are still fighting their worst nightmare.
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The Black Phone 2 picks up four years after the events of the first film, placing us squarely in 1982. Finney Blake (Mason Thames), now 17, is no longer the timid kid locked in a basement. He’s a deeply traumatized survivor struggling with his own anger and trying to move past the horrifying events that made him famous. He’s trying to live a normal teenage life, even experimenting with things like marijuana to numb his pain, but the past keeps calling.
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But this sequel truly belongs to his younger sister, Gwen Blake (Madeleine McGraw), who is now 15. In the first movie, Gwen’s psychic visions helped save Finney. Now, her powers have grown stronger, but also much darker. She starts having terrifying dreams where the infamous black phone rings again, leading her to visions of three long-lost boys who disappeared decades earlier at a remote, snowy place called Alpine Lake Camp.
Gwen is determined to solve this old mystery to quiet the voices and visions, which she learns are also linked to her long-dead mother, who had similar psychic gifts. She convinces her reluctant, protective brother Finn and their friend Ernesto (Miguel Mora, returning as Robin’s brother) to travel to the isolated Christian youth camp in the middle of a blizzard. Once they are trapped at the camp, alone with a few new characters, the supernatural fun begins. It’s here, in the cold and isolation, that The Grabber decides to truly exact his revenge, no longer as a man, but as a ghost who can manipulate dreams and reality.
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The biggest change in this sequel is the villain himself. Ethan Hawke returns, once again wearing the unsettling masks, but he’s shifted completely into the role of a nightmare entity. The first film was scary because The Grabber was a real person—a terrifying monster who could actually grab you in the street. Now, he’s basically the spirit of pure malice, feeding off the fear of Finn and Gwen.
This is where the movie gets its inevitable comparisons to horror classics, especially the Nightmare on Elm Street series and its villain, Freddy Krueger. Like Freddy, The Grabber can terrorize people in their sleep, use their worst fears against them, and cross the line between dreams and the real world.
For some viewers, this supernatural turn might feel like a letdown. It loses that raw, human fear that made the original so gripping. However, director Scott Derrickson and writer C. Robert Cargill handle the transition smartly. They focus less on silly one-liners and more on The Grabber’s sheer, cold hatred for Finn, blaming him for his death. When Hawke appears, it is still impactful, and the visuals surrounding his ghostly form—especially in the grainy, distorted dream world—are chilling and unique. He might be a ghost now, but The Grabber remains an icon of modern horror thanks to Hawke’s unsettling performance and Tom Savini’s brilliant mask design.
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While Ethan Hawke’s return is a draw, the heart of Black Phone 2 is the relationship between Finn and Gwen, and this time, Madeleine McGraw as Gwen truly shines.
In the first film, Gwen was the supportive, foul-mouthed little sister who was key to finding Finn. Here, she steps fully into the lead role, owning her powers and leading the investigation. McGraw gives a powerful performance, showing a teenage girl who is both headstrong and terrified, determined to stop the evil that keeps plaguing her family. Her journey is about accepting her difficult gift and confronting a past that is much closer to her family than she ever knew. The Black Phone 2 Movie review on Filmywap.
Mason Thames, as Finney, does an equally strong job portraying the quiet rage and post-traumatic stress disorder (PTSD) that has consumed him. Finn’s arc is about healing—using his anger not to lash out, but to protect his sister and finally end the torment. The bond between the two actors is incredibly real and is the emotional core that anchors the entire supernatural plot. Even when the story twists get complicated, you care deeply about these two kids making it out alive.
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One of the best things about the The Black Phone 2 is the complete shift in its visual style. The first film was set almost entirely in a stuffy, dingy basement and the hot, dusty streets of a Denver suburb in the 1970s. Black Phone 2 throws the audience into a cold, beautiful, and terrifying world: a remote, snow-covered camp that is completely cut off by a blizzard. This shift provides an awesome atmosphere, giving the movie the feel of isolated horror classics like The Thing or Friday the 13th. Watch The Black Phone 2 in HD Filmyzilla
Scott Derrickson, who is known for his sharp directing, makes this isolated setting look magnificent and full of dread. The contrast between the stark white snow and the dark horror that plays out is visually striking. A specific moment—Finn in a lone phone booth surrounded by a snowy landscape, the camera spinning to reveal lost souls—is one of the most memorable and haunting shots of the year.
The dream and vision sequences are also handled masterfully. Derrickson shoots these moments with a grainy, distorted 8mm or VHS quality, making them look like cursed home videos found in the 1980s. This technique immediately separates the dream world from reality, adds a layer of vintage creepiness, and perfectly reflects the film’s 1982 setting.
However, the film, at almost two hours long, does suffer from some pacing issues. As strong as the visuals are, the plot sometimes drags when the characters stop to explain the complicated new mythology and the links to their mother’s past. Download The Black Phone 2 on Mkvcinema for review.
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The Black Phone 2 is exactly what you should expect from a sequel to a finished story: it’s bigger, more supernatural, and pushes the mythology to its absolute limit.
It succeeds wildly in giving Gwen the spotlight, providing a truly emotional and compelling look at trauma through the eyes of two young survivors, and expanding the visual language of the series. The film is full of genuine tension and some truly shocking moments of gore that earn its R-rating.
But it’s also a movie that had to stretch a very simple concept. The “Freddy Krueger” turn is a fun direction, but it makes The Grabber feel less unique than he was in the original. While the big reveal about the mother’s connection ties the lore together, it requires a lot of on-screen talk and explanation, which slows down the horror at times.
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If you loved the first The Black Phone for the raw, real-world horror of the kidnapping, you might find this one a little too far out into the spooky spirit world. But if you’re ready for the characters of Finn and Gwen to face the ultimate, ghostly revenge of their tormentor—in a beautifully shot, cold, and intense environment—then The Black Phone 2 is absolutely worth picking up the phone for. It’s a solid horror entry that proves The Grabber is a villain destined to be a franchise icon, whether he’s alive or dead.